![]() ![]() ![]() Phthalo Blue is available in two shades green shade, and red shade. Liquitex Professional Heavy Body Acrylics and Sets The color swatch to the top right is the result-it’s light blue. For example, in the first photo there’s white on the palette and a small amount of Phthalo Blue on the tip of the brush. ![]() The swatch of color above and to the right of the paint brush is the result. This is what I’m going to add to the existing color on my palette. The photos show a paint brush at the bottom with a small daub of color on it. This is a normal part of the color mixing process. For example, you’ll see that I sometimes add too much of a color and then have to compensate for it. Mixing colors requires a lot of small adjustments. If you’re new to color mixing, I don’t want you to give you the impression that I mix the color with some sort of exact recipe and get it right on the first try. I’m mixing these colors from my imagination, and not from direct observation. In the first three demonstrations I use three different Blues to mix colors the memory color version of Sky Blue. ![]() In addition to these variables, artists invent their own creative color schemes for their paintings. So that’s another reason why there’s so many shades of Blue that artists use in landscape paintings. All of us have used descriptions like these to quickly convey a basic color concept in a conversation.Įven if we’re trying to match the color of the sky from direct observation, there are a lot of variables that will affect it–weather, the time of day, and which part of the sky you’re looking at. For example, there’s candy apple red, grass green, and robin egg blue. Everybody has a concept in their mind about the colors of familiar objects. Sky blue is a “memory color,” which is more of a general concept than a precise color. Cobalt Blue and white makes a nice light blue that passes for the concept of sky blue. Ultramarine Blue works well as a starting point for the exact shade of the darkest part of a blue sky. If you have an understanding of color theory, you can often mix the same color from different pigments. In the examples that follow, I use three different blues to mix very similar colors. Many blues will can be used to mix Sky Blue. There’s Ultramarine, Cobalt, Cerulean, Phthalo, just to name a few. There are many shades of Blue available to artists. To learn more about my course visit the link below. Using a smaller palette of colors makes the decision process easier than having to choose from a palette of 15 or more colors. In the first few demonstrations I use only use 3 colors plus white to match colors. If you want to learn how to mix colors, you may be interested in my color mixing course. These general principles will work whether you’re mixing a generic Sky Blue or the exact color of the sky. To create a duller blue, add a touch of yellow along with the magenta. To make it a reddish blue, add a small touch of magenta. Many blues will work, but Ultramarine Blue is a good color to begin with. Start with a generous amount of white and add blue to it. All of the colors that I mixed for this article follow the same principles. I also demonstrate how to match the exact color of the sky from direct observation. In this article, I demonstrate how to mix a variety of colors that could be used as Sky Blue. When people mention “Sky Blue” they are usually referring to a generic light blue color, instead of the exact color of a blue sky. ![]()
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